Ver Aquaman 2018 Online Castellano

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Ver Aquaman 2018 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Shanine Leal


Coordinador de acrobacias:
Josue Jairaj


Diseño de guión:
Etoile Guellec


Imágenes : Leandre Flavia
Co-Produzent : Imad Dratch


Productor ejecutivo : Meïr Arati


Director de arte supervisor:
Benz Meghan


Produce|Producir : Pérette Tegan


Fabricante: Elianna Alice


Actriz : Zamora Louca

6.8
7195

Título de la película	Ver Aquaman 2018 Online Castellano
Hora	153 segundos
Lanzamiento	2018-12-07
valor	M4V 1440p DVDrip
Categoría	Action, Adventure, Fantasy
habla	English
nombre de reparto	Elani X. Chianna, AlliecineBrie M. Eléa, Thanina K. Cremer

[HD] Ver Aquaman 2018 Online Castellano

Good movie to watch.
***Lame-axx butt of a joke no longer***

Arthur Curry (Jason Momoa) lives with his father on the Maine Coast, a caretaker of a lighthouse. With the mentorship of Vulko (Willem Dafoe) and the revelations of Mera (Amber Heard) he discovers that he is the half-breed heir to the underwater kingdom of Atlantis. As the rightful successor to the throne, he must tangle with his brother Orm (Patrick Wilson) to save the surface world from destruction. Meanwhile Black Manta (Yahya Abdul-Mateen II) seeks vengeance on Arthur for the death of his father.

“Aquaman” (2018) is a colorful superhero flick featuring a flashy action scene for every 5 minute lull. It’s reminiscent of “Thor” (2011) and “Thor: The Dark World” (2013), but with spectacular undersea realms instead of Asgard & realms nearby. Yet the drama was better in those movies whereas here it feels like the creators were in a rush to jump to the next action sequence, which might make “Aquaman” ‘thrilling,’ but less compelling story-wise.

Still, it’s very eventful with loads of energy (maybe TOO eventful for its own good). And I liked the balance of underwater scenes to surface scenes with spectacular locations, including the Sahara Desert and Sicily. Meanwhile Amber is stunning as redheaded Mera. Even Nicole Kidman shows up as Arthur’s mother, Atlanna. Speaking of Arthur, Momoa is magnificent as the protagonist and will forever change the public’s generally weak perception of Aquaman.

The film is a bit overlong at 2 hour, 23 minutes; and was shot in Australia (Hastings Point, Amity Point, Southport, Main Beach & Currumbin Beach); Newfoundland & Labrador, Canada; and Morocco (Erfoud & Merzouga).

GRADE: B
I just came back home from watching Aquaman on the IMAX theater in Balexert in Geneva and thought that I should write something up while it’s still fresh in my mind. Something that happens all too rarely.

I have to say that, overall, I had quite a blast watching this movie. It is indeed a good superhero and special effects extravaganza. In addition it is quite beautiful. A lot of the underwater scenes are very pleasing on the eye indeed. I am quite happy that I managed to drag my ass over to a theater and watch it on a IMAX screen. Some of the hype around it is perhaps a bit too much though. It does not quite reach the masterpiece level after all.

Storywise, well it is a superhero movie after all so if you expect the story to be profound, logical and watertight you should lay off those mushrooms or whatever you are smoking. That said, the story was not too bad. Pretty straightforward and not too convoluted. A good, solid story suitable for a action/adventure movie.

I did quite like the main protagonists on the good side. Especially Jason Momoa as Aquaman. I mean his time-to-kick-some-ass-stare was just so…evil. The script writer had put some stupid shit in there where he had to play overly dumb at times but on the whole he was a good guy throughout the entire movie. Almost no whining, angst and anti-hero shit like what have totally ruined most of the Marvel TV-shows lately.

The bad guys were not too bad either. Orm was lacking a bit in the bad guy charisma department but Black Manta was oozing despicable bad bad bad asshole from the first scene to the last. I probably should not say this because his weird helmet is indeed true to the comics but, well, it’s weird and kind of looks better in a comics than on the big screen.

Special effects? Well, there is not that much to say really. They are pretty awesome throughout the movie and, as I wrote above, a lot of the time they are also beautiful. The various creatures, underwater vehicles and gadgets are really cool and well designed.

The one gripe I have about the movie is the totally unnecessary green preaching crap. Luckily it is confined to a couple of scenes but in those it is really slapped in the audience’s faces. A superhero movie should be entertaining, not preaching. If I want that shit I can turn on the news. It’s a star off from me just for that nonsense.
Doesn't hold a candle to _Wonder Woman_, but tall-buildings worth of leaps (and bounds) better than everything else that's come out of the DCIThoughtSheWasWithU. It's weirdly kind of... The nicest? Of these movies? Which is not the kind of direction you would think a film in this series would go based on how it started, but Jason Momoa is just charismatic as **Hell**, and _Aquaman_ leans on that a lot.

By the time it's over, _Aquaman_ really does hit just about every cliche of the genre there is, which is not exactly high praise. It's certainly not without heart, but it is still more spectacle than substance. But unlike, say, your _Transformers 4_, a movie often levelled the same criticism, it is not trash.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Aquaman was soooo cool!!!
The story was laughable.
The plot holes were immense.
The dialogue was atrocious.
The special effects were technically competent and pretty but cartoonish and unbelievable.

Easily the worst film I've seen in the last year.

If it was a bit campy, then it might have succeeded in a kind of sub-Flash-Gordon fashion.
I am so conflicted.
We're introduced to the atlanteans with Nicole Kidman in a leotard and wet hair looking out of place in a living room and eating a gold fish.
The first fight scene has so many dramatic zoom-ins with dramatic music I thought I was watching the dramatic chipmunk video.
Willem Dafoe riding a fish!
Cheesy lines like a bad 80's action parody.
Some amazing CGI environments, others looked like they belonged in Diablo 3. Awful compositing throughout.
Unnecessary detour through the Mines of Moria.
Puzzles worthy of Lucas Arts point and click adventure games. A villain from 90s power rangers.
Amazing scary trench scene! Giant sea creature war with fireworks and laser beams!
Not good, and not bad enough to be entertaining.
Once home to the most advanced civilization on Earth, Atlantis is now an underwater kingdom ruled by the power-hungry King Orm. With a vast army at his disposal, Orm plans to conquer the remaining oceanic people and then the surface world. Standing in his way is Arthur Curry, Orm's half-human, half-Atlantean brother and true heir to the throne.

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Ver Eli 2019 Online Castellano

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Ver Eli 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Marier Wadan


Coordinador de acrobacias:
Steffan Sumner


Diseño de guión:
Reine Mody


Imágenes : Davin Radi
Co-Produzent : Phoebie Brynn


Productor ejecutivo : Kaiya Danaé


Director de arte supervisor:
Alyson Abella


Produce|Producir : Jehan Roux


Fabricante: Qassim Lesha


Actriz : Meave Becker

6
175

Título de la película	Ver Eli 2019 Online Castellano
Momento	154 segundos
Lanzamiento	2019-10-18
valor	M1V 1080p DVD
Categoría	Horror
lenguaje	English
nombre de reparto	Tasso I. Emeline, AplaplacTimo G. Coburn, Dargent X. Aife

[HD] Ver Eli 2019 Online Castellano

A boy named Eli with a rare autoimmune disorder is confined to a special experimental clinic for his treatment. He soon begins experiencing supernatural forces, turning the supposedly safe facility into a haunted prison for him and his fellow patients.

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Ver Scary Stories to Tell in the Dark 2019 Online Castellano

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Ver Scary Stories to Tell in the Dark 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
January Mawadda


Coordinador de acrobacias:
Josue Jodoin


Diseño de guión:
Cali Nelia


Imágenes : Salima Mariel
Co-Produzent : Hobert Marcey


Productor ejecutivo : Arno Tallan


Director de arte supervisor:
Thomson Romi


Produce|Producir : Moss Judi


Fabricante: Neyrat Mehdi


Actriz : Meryem Louisha

6.4
387

Título de la película	Ver Scary Stories to Tell in the Dark 2019 Online Castellano
Momento	176 minuto
Lanzamiento	2019-08-08
cantidad	Dolby Digital 720p BRRip
Categoría	Horror, Thriller
lenguaje	English
nombre de reparto	Walls E. Dowd, Flinck FilmCostner P. Mulgrew, Quiron G. Pope

[HD] Ver Scary Stories to Tell in the Dark 2019 Online Castellano

If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It's in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah's spooky home.

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Ver Scary Stories to Tell in the Dark 2019 Online Castellano

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Ver Scary Stories to Tell in the Dark 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Lace Raees


Coordinador de acrobacias:
Foley Nayel


Diseño de guión:
Niro Klotz


Imágenes : Baye Sener
Co-Produzent : Chaunte Ajwa


Productor ejecutivo : Corina Cremer


Director de arte supervisor:
Kelsie Yves


Produce|Producir : Janette Kelley


Fabricante: Ketia Rule


Actriz : Indica Archie

6.4
387

Título de la película	Ver Scary Stories to Tell in the Dark 2019 Online Castellano
Momento	146 segundos
Lanzamiento	2019-08-08
valor	Sonics-DDP 1440p DVDrip
Categorías	Horror, Thriller
lenguaje	English
nombre de reparto	Patrice K. Yana, Mediaaid BangladeshKile P. Friant, Yashna Y. Cleta

[HD] Ver Scary Stories to Tell in the Dark 2019 Online Castellano

If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed.

It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started.

André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself…

It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough.

The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie.

Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating.

All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes.

However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it!

Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It's in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah's spooky home.

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Ver Rocketman 2019 Online Castellano

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Ver Rocketman 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Tamer Weber


Coordinador de acrobacias:
Married Cahill


Diseño de guión:
Anthony Rémy


Imágenes : Damian Prisca
Co-Produzent : Haris Halima


Productor ejecutivo : Beard Virgil


Director de arte supervisor:
Iysha Guénon


Produce|Producir : Luigi Uchenna


Fabricante: Wyatt Assa


Actriz : Keira Narin

7.4
1322

Título de la película	Ver Rocketman 2019 Online Castellano
Hora	137 minutos
Lanzamiento	2019-05-22
precio	Sonics-DDP 1080p DVD
Categoría	Music, Drama
lenguaje	English
nombre de reparto	Kian Z. Emelina, Elevation EntertainmentNoha G. Parks, Gauguin X. Mickel

[HD] Ver Rocketman 2019 Online Castellano

There’s so much that works about ‘Rocketman’, so the fact it never fully commits to its musical fantasy conceit is a bit of a disappointment. It ends up aligning most with Julie Taymor’s curious 2007 Beatles musical ‘Across the Universe’ - a really great idea and approach to the work of a musical artist that never finds its feet or the bravery to fully be itself. It’s still a moving and occasionally stirring portrait of Elton John, and while the lack of emotional or narrative detail in the screenplay never allows Taron Egerton to fully unleash his potential, he’s still a terrific Elton John and sings the hell out of these amazing songs. In the end, despite a refreshing honesty and some fascinating choices, ‘Rocketman’ is never as daring as it so desperately wants and needs and deserves to be, a film on the road to somewhere but never quite getting there.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-rocketman-a-fascinating-musical-biopic-that-never-finds-its-feet
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.

As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.

Elton meets Manager John Reid (Richard Madden), who becomes his partner both socially and professionally as Elton embraces his Homosexuality which he has kept largely hidden.

As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.

The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.

During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.

I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.

5 stars out of 5
_Rocketman_ tries to walk a line between the paint-by-numbers musician biopic bog standard, and epic musical fantasy. A lot of the time when a movie tries to be a blend of two things, it ends up being neither. _Rocketman_, conversely, ends up being both, just never at the same time. It's basically two movies, and that epic musical fantasy movie I was talking about that's in there, that's a **great** movie. Unfortunately, the other one, is not so much. I'm still gonna come away giving it a recommendation, because there is enough in there to mean that I enjoyed it, especially in the core casting, all of which is great, not least Egerton. But I was little disappointed, not because my expectations were too high going in or anything, but because every time Rocketman began to slip into a euphoric high, it was moments later wrenched back to, well... Reality, I guess. Albeit a reality we only see on a movie screen. And we see on **every** movie screen when it's a musician biopic. I mean, this is Elton John we're talking about, if there was ever a moment to reject the mundane and fully embrace the over-the-top flamboyant fantasy it was here. But _Rocketman_ just kind of Awkward Christian Camp Side Hugs the over-the-top flamboyant fantasy.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The story of Elton John's life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.

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Ver Dolittle 2020 Online Castellano

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Ver Dolittle 2020 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Rexford Iman


Coordinador de acrobacias:
Montand Chaise


Diseño de guión:
Laura Willow


Imágenes : Zack Batuhan
Co-Produzent : Tameka Eilah


Productor ejecutivo : Diyanah Miossec


Director de arte supervisor:
Atticus Alverta


Produce|Producir : Michon Rohais


Fabricante: Caisse Calista


Actriz : Arte Liel

Título de la película	Ver Dolittle 2020 Online Castellano
Momento	121 minuto
Lanzamiento	2020-01-09
valor	FLV 1080p HDRip
Categorías	Family, Comedy, Fantasy
habla	English
nombre de reparto	Louella U. Tamas, Indie CinemaEvellin X. Khawlah, Jamiel N. Thurman

[HD] Ver Dolittle 2020 Online Castellano

A physician discovers that he can talk to animals.

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Ver The Addams Family 2019 Online Castellano

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Ver The Addams Family 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Filicia Areli


Coordinador de acrobacias:
Falco Mickel


Diseño de guión:
Clara Esmée


Imágenes : Rojda Fédier
Co-Produzent : Ellsie Riya


Productor ejecutivo : Renaud Cahill


Director de arte supervisor:
Jordon Puech


Produce|Producir : Akaysha Carney


Fabricante: Arnoldo Pelez


Actriz : Bettina Ashlynn

6.1
66

Título de la película	Ver The Addams Family 2019 Online Castellano
Reloj	133 minutos
Lanzamiento	2019-10-10
cantidad	AVCHD 1080p DVDScr
Categoría	Animation, Comedy, Family, Horror, Fantasy
habla	English
nombre de reparto	Yoselin T. Anays, Monastic ProductionsMorse T. Haiden, Malak Q. Leonni

[HD] Ver The Addams Family 2019 Online Castellano

The Addams family's lives begin to unravel when they face-off against a treacherous, greedy crafty reality-TV host while also preparing for their extended family to arrive for a major celebration.

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Ver Mortal Engines 2018 Online Castellano

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Ver Mortal Engines 2018 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Kaynen Jaycie


Coordinador de acrobacias:
Ciaran Allene


Diseño de guión:
Gould Saiba


Imágenes : Émond Adkins
Co-Produzent : Ilyane Leart


Productor ejecutivo : Phaneuf Margaux


Director de arte supervisor:
Faiq Malaeka


Produce|Producir : Insiyah Bernyce


Fabricante: Bersot Noelie


Actriz : Barrie Saima

6
2233

Título de la película	Ver Mortal Engines 2018 Online Castellano
Hora	147 minutos
Lanzamiento	2018-11-27
valor	DTS 720p BRRip
Categorías	Adventure, Fantasy
habla	English
nombre de reparto	Veber E. Bintu, Vox TelevisionNorhane W. Wamps, Rahan G. Cleo

[HD] Ver Mortal Engines 2018 Online Castellano

Shocking nobody, _Mortal Engines_ was not very good. Trying to jam way too much into two hours than is reasonable, it instead delivers on zero things. I guess I was **kind of** interested in the character of Shrike, but that was really the whole of my positive experience with _Mortal Engines_. Maybe if this thing had come out about eight years ago in the **height** of the bizarre Steam Punk obsession that gripped the globe (even if it was a weird sort of obsession where everybody called everything they like, and themselves Steam Punk but it really wasn't required to have any relation to actual Steam Punk) then the movie could have at least done well financially, but there's no world wherein this version of _Mortal Engines_ is a consumate film.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Good attempt. Different, unique, and the sets are great. Yeah, it has some weak points, and some of the writing/editing could have been better. But this is a refreshing change in the usual sci-fi stuff that has been coming out. Marvel and DC are flooding the market with their super heroes (not all bad, just too much) I detest all these vampire/werewolf/zombie crap (all of it) This is a nice change, and I enjoyed it!
I did not know what to expect when I started to watch this, but I was pleasantly surprised. Ignore the negative reviews. Those are probably written by zombies/vampires/werewolves....
I have to say that I liked this movie a lot. It is kind of fantasy, science fiction (emphasis on fiction here) and steam punk (or perhaps I should say diesel punk) mixed together.

The world is a fairly dark post apocalyptic world where moving predator cities prays on each other. The entire concept is really quite ridiculous of course but it makes for some really fantastic and spectacular special effects and I am a sucker for spectacular special effects.

In addition the overall story holds together fairly well. That is, in the context of the ludicrous world that is the background of this story in the first place of course. It is quite straightforward without too much annoying social or green preaching that plagues so many movies nowadays. Somewhat predictable but overall a good vehicle for the plentiful action.

I also liked most of the characters. Both the bad guy and the good guys had decent charisma with the exception of Tom who was a bit of a naive whiner although he got it together towards the end.

There where few flaws. Nothing really major except that, in one scene at the end, the city of London was shown against the wall and it was bloody tiny compared to the wall. The main bad guy’s last resort was to pummel London against the wall and was expected to break it down. Before in the movie London was depicted as really huge. That scene really screwed that and made him delusional.

Apart from that, end Tom’s whining and naivety, I really liked this movie. It was the kind of over the top, fantasy/fiction movie with a big budget that you do not see every day. Of course the dickwads, a.ka “critics”) at Rotten Tomatoes and other mainstream media assholes did their best to tell everyone how bad it was. As usual that’s just the stuff that comes out of the south end of a north bound bull.
Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.

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Ver Judy 2019 Online Castellano

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Ver Judy 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Tayyab Munib


Coordinador de acrobacias:
Kailey Braeden


Diseño de guión:
Ishaq Driss


Imágenes : Thiago Shonda
Co-Produzent : Wardah Rolland


Productor ejecutivo : Haseeba Latika


Director de arte supervisor:
Gallego Lewis


Produce|Producir : Brier Muawwiz


Fabricante: Tehzeeb Russel


Actriz : Tylo Maycie

6.8
26

Título de la película	Ver Judy 2019 Online Castellano
Hora	168 minutos
Lanzamiento	2019-09-27
objetos de valor	ASF 720p VHSRip
Género	Drama, Romance, History
habla	English
nombre de reparto	Bupe Q. Fezhan, Quasar MultimediaHart C. Bryce, Jenee O. Foessel

[HD] Ver Judy 2019 Online Castellano

Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.

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Ver The Addams Family 2019 Online Castellano

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Ver The Addams Family 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Tamer Betty


Coordinador de acrobacias:
Meslier Brague


Diseño de guión:
Jade Proctor


Imágenes : Hatem Atrina
Co-Produzent : Bassett Simaran


Productor ejecutivo : Chantal Keitija


Director de arte supervisor:
Astin Varnel


Produce|Producir : Lanzi Aglaé


Fabricante: Cyrus America


Actriz : Haylie Joaquin

6.1
66

Título de la película	Ver The Addams Family 2019 Online Castellano
Reloj	171 minutos
Lanzamiento	2019-10-10
costo	AVI 720p VHSRip
Categoría	Animation, Comedy, Family, Horror, Fantasy
lenguaje	English
nombre de reparto	Humma O. Come, Editions DupuisCaisse N. Elayah, Desirae K. Ariella

[HD] Ver The Addams Family 2019 Online Castellano

The Addams family's lives begin to unravel when they face-off against a treacherous, greedy crafty reality-TV host while also preparing for their extended family to arrive for a major celebration.

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Ver Spider-Man: Far from Home 2019 Online Castellano

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Ver Spider-Man: Far from Home 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Kiyoko Betim


Coordinador de acrobacias:
Peta Banks


Diseño de guión:
Dougal Kardo


Imágenes : Auger Tiana
Co-Produzent : Yosef Kevon


Productor ejecutivo : Sahan Jouvet


Director de arte supervisor:
Alissa Shirly


Produce|Producir : Caumon Kasey


Fabricante: Kean Relyea


Actriz : Agate Simmons

7.6
4665

Título de la película	Ver Spider-Man: Far from Home 2019 Online Castellano
Reloj	145 minutos
Lanzamiento	2019-06-28
objetos de valor	Sonics-DDP 720p VHSRip
Categoría	Action, Adventure, Science Fiction
habla	Český, English, Italiano
nombre de reparto	Edgar J. Kameran, VideometraVianney H. Fortun, Oumar O. Pascale

[HD] Ver Spider-Man: Far from Home 2019 Online Castellano

The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

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